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Photography · Authored practices

Different eyes. One working field.

Sonia Giudici
Constructed bodies
Material research

Anton Likht
Cinematic portrait
Night and narrative

Every image is credited.
The practices are related, not collapsed.

01 / Sonia Giudici

Body as architecture.

Constructed gestures, hard daylight, saturated colour and surfaces that make fashion feel physical. The sequence moves from editorial tension to cyanotype and material transformation.

A model in a translucent top sits against a weathered blue vehicle in hard sunlight.
MegSonia Giudici
A folded body in pale clothing creates a compact sculptural shape.
The LineSonia Giudici
Close portrait with direct gaze, cropped hair and sharp warm light.
CameronSonia Giudici
A figure in dark clothing stands at a red doorway in a white wall.
AdamSonia Giudici
A bare torso twists against pale domestic surfaces and hard-edged shadow.
GideonSonia Giudici
A person in a motorcycle helmet and graphic clothing faces the camera outdoors.
MotorsSonia Giudici
A circular cut-out in a black garment frames the skin of a bent torso.
TsakuSonia Giudici
A face wearing swim goggles breaks the surface of green-blue water.
Water studySonia Giudici
A framed deep-blue cyanotype preserves the translucent form of a discarded plastic bag.

Artist practice / AMARSI

Matter keeps a memory.

Cyanotype becomes a way to test presence, disappearance and the unstable boundary between an object and its trace.

Sonia’s full profile

02 / Anton Likht

Light as narrative pressure.

Cinematic portrait, editorial work and landscapes after dark. The image begins with a character and a situation, then uses light to withhold as much as it reveals.

A fashion portrait combines a still pose, red garment and a stark architectural setting.
EditorialAnton Likht
A human figure rests on a rock in a blue-black nocturnal landscape.
Night studyAnton Likht
Red light isolates trees and a figure in a dark wood.
Night studyAnton Likht

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