Music content · 2024–25
Irene Grandi
Context
A music project does not live in one release frame. It needs material that can keep the artist present across different moments and surfaces.
Across the 2024 Fiera di Me cycle and the 2025 Favole release, the work moved between social video, making-of, backstage documentation and authored moving image.
The value of the collaboration sits in continuity: different outputs were treated as parts of one release field rather than isolated deliverables.
Creative response
One artist. Multiple surfaces.
Vertical edits, production documentation and authored moving image were treated as one connected visual field. The work could shift format without losing the artist’s presence or the logic of the release.
That is the principle BluCineLab carries into music work: define the visual relationship first, then let each output serve its real channel.
Production system
Roles stay explicit as the format changes.
For Fiera di Me, the scope covered shooting, social edits, making-of and backstage photography. For Favole, the published credits identify Anton Likht as director of the video loop and reel, Sonia Giudici for concept, cinematography and editing, and Nicolò Leonardo Serri as second camera.
The project is kept on the site because the credits are verifiable and because the collaboration shows how moving image, documentation and social delivery can be connected without flattening authorship.
Outputs
Material built for a release cycle, not a single post.
Social moving image, making-of, backstage photography, video loop and reel—different formats held together by the same release logic.
Related capability · Moving image